Bhandarkar veers away from his “slice of life” style of cinema and moves to comedy, but it has the same clichés, the same dumbed-down dialogues, and strangely enough for a comedy, very crass humour that is more offensive than funny.
Ajay Devgan plays Naren, an executive who is in the middle of a divorce and attracted to his secretary, who is half his age and exhibits entirely inappropriate behaviour (like asking her boss when he lost his virginity).
Naren lives with two roommates – Milind (Omi Vaidya), a meek poet, and Abhay (Emraan Hashmi), a Casanova, who actually checks out girls at funerals and romances a mother-daughter duo at the same time.
The film follows the three on their quest for love, but the journey is unbelievably dull and tedious and there are no funny moments. I could have spent the entire time asleep and I still wouldn’t have missed much.
Bhandarkar resorts to double entendre homosexual jokes, and there are no gags or funny incidents. The guys spend two and a half out of the three hour-long film wooing the girls, and Bhandarkar drags the end interminably. He could have cut this film by an hour and it would still have been considered a long film.
At the end of it, you just want to bolt for the exit door. This one did absolutely nothing for me – avoid.

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